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Carroll Dorrell-Hightower
tinybill1@aol.com
 
Carroll Dorrell-Hightower is a native of Brooklyn, New York. She and her husband William relocated to Colorado Springs in the spring of 1994 as a result of having been exposed to the area through visits with her father-in-law, the late Emory Hightower, who was the mayor of Palmer Lake, Colorado.
Carroll was introduced to pottery while volunteering at the Colorado Springs Senior Center. There she saw pottery being done for the first time by her good friend, Ken Tanner. Thereafter she took her first classes under the guidance of Jennifer Hanson; and later with master potter instructors Lance Timco and Mike Janes.
Carroll's enthusiasm for pottery has developed quickly and substantially and she hes become a familiar face in many venues. For example, her works in clay have gained first place at The Artists' Liar display in Colorado Springs. In addition, her endeavors have juried-in and sold at the Common Wheel Gallery in Manitou Springs and at several Colorado Springs Senior Center events. Her works were shown at the 2007 Colorado Springs Airport Exhibition, the 2008 Colorado State Fair in Pueblo, winning one third place and two honorable mentions.
 
Garner Studios 
JP Garner
garnerstudios@gmail.com
719-466-1114

J.P. was born into a military family and traveled extensively throughout his childhood. After leaving home, He continued traveling throughout Europe and Asia. In Asia he grew to appreciate the simplicity of line and color in oriental furniture and architecture. A lifetime of travel exposed him to a rich diversity of culture and art. Although, J.P. holds graduate degrees in Psychology and a doctorate in Theology, he is a self taught artist and metal smith. 
Christine Garner has been an artist all her life, she was first taught by her artist mother and later broadened her skills and knowledge at the Denver Art Institute. Christine has distinguished herself as a figurative painter and expert in wood burning arts long before she emerged as an abstract painter. Chris's first interest in metalwork began when she and J.P. began making jewelry and copper work together in the late 80’s and early 90’s. Their work grew increasingly larger and moved from precious metals to steel. The combining of their skills led them to their newest art form. Now, the couple uses steel to express their creativity.     
They bend and shape steel into interesting forms and paint the shapes with enamels and acrylics, texturing them to sometimes appearing like fabric. Chris and J.P. use a variety of materials and technics to create their product. Some pieces incorporate metallic leaf, stained glass, dichroic glass and pottery to add to the beauty and texture in their art form.
 
Craig Cantrell
cocantrells@mac.com


 
Kat Strickland
928.862.9031
katstrick@msn.com
 
Somewhere between the rough clay edges of her abstract sculptures and the refined delicate and smooth prosperity bowls she throws on the wheel, you can find an artist who cannot settle on just doing one thing. So to call her an artist is true, but she is not a painter or a potter or a collage artist. She combines through experimentation all the above disciplines. Her work weaves, sculpts, photographs, and creates a collage of interests as she also often writes poetry or stories that help the viewer experience her imaginations as they come to life.
Kat has been an artist for over 30 years, and has recently moved back to her home state of Colorado after living in the desert for ten years. She has taught several art classes in clay, drawing, and mixed media in both private and group settings. She has been an Art Director for the Cottonwood Boys and Girls Club, Geneva Glen Camps, and has run a business for twelve years in both the art and service industry.
Her experiences of working with all ages from school age children to elderly and handicapped populations shine forth with an attitude of patience. She loves helping people express their creativity, so that healing and personal growth stand out as the main thrust of her intentions. Kat quotes,” The act of doing art is likened to breathing in fresh air, and teaching is the joy of the exhale.”
 
Linda Ross
719-685-3036
linda.ross55@hotmail.com

Linda Ross, born and raised in California, began experiencing the joys of art at a young age, paper, textiles and scissors quickly became her best friend. Her creative journey continued with a move to Oregon in 1972. There the opportunities of living on a century old farm and participating in her new family’s antique business fueled Linda’s interest in both folk art and primitives. Mentored by Jean Armstrong a passion for antiques and classic furniture restoration developed into a twenty-year career.
At Lane Community College in Oregon, Linda enhanced her skills in woodworking, upholstery and textiles. With retirement came a new interest in pottery sparked while attending a ceramic class at Bemis Art School in Colorado Springs. This emerging artist studied clay sculpture under Susan Halls at the historic Penland School of Arts in North Carolina. And additional Colorado instructors Frank Gray, Mark Sheperd, and Darlene Wells stimulated a richer diversity in Linda’s work.
 
 
 
Ramona Lapsley
bluefishmanitou@aol.com

My prints reflect my interest in the natural form. At times it is literal and other times it is metaphorical. I grew up in an agricultural area north of Denver. I worked and studied in Wisconsin for several years. Now I live in the wonderful surrounds at the foot of Pikes Peak.
There has been a reoccurring interest in rocks, fish, birds, the land and the beauty of gardens in my artwork. At times I combine several of these elements. I am in the process of learning the art of fly-fishing. Much of my work is done in the print studio at the Business of Art Center in Manitou Springs, Colorado, and often includes watercolor painting with the print.
 
Glenda Kleinsasser
 
Glenda Kleinsasser was born and raised in Sioux Falls, South Dakota.  She attended Augustana College and took her first class in making pottery while living in State College, Pennsylvania.  She also attended pottery classes at the Opportunity School in Denver, Colorado and then moved to Minnesota where she continued her pottery education at the College of St. Benedict‘s.  It was here, studying with Bill Smith, that she developed her love of porcelain and the bottle form.
After a long hiatus, it was not until 1994 that she would begin work in clay again, studying with Sandy Cryer at Pikes Peak Community College in Colorado Springs.  This lead to her affiliation with the Colorado Springs Senior Center, where she was a long time volunteer eventually hired to mix glazes, fire kilns, and teach classes.  While there she was instrumental in starting their Open Studio program. 
Later, she and four other potters, would establish The Pottery Co-op in Colorado Springs.  She was a member of their board of directors during the time she spent there.  It was during these years, she took a workshop with Stephen Jepson which lead to a month long internship at the World Pottery Institute in Florida. 
In 1999, she became a member of Commonwheel Artists Cooperative in Manitou Springs and until recently was a member of their board of directors and is currently an active artist member. She was an original member of the Clay Center in Colorado Springs and became affiliated again in 2009, along with becoming a Studio Artist at the Business of Arts Center in Manitou Springs.
Since 1994, she has taken numerous pottery classes, demonstration workshops and hands-on workshops from local, national and international potters to further develop her ceramic skills and has shown her work in many pottery shows and exhibitions. She’s a charter member of the Potter’s Council and has been a member of the National Council for Education in the Ceramic Arts since 1998. Glenda is an avid collector of books on pottery making, potter’s and pottery.  She also has an extensive collection of pottery magazines, videos and DVDs.
Her current ceramic art is primarily wheel thrown bottles and classic vase forms in both porcelain and stoneware in high fire gas reduction, although she does produce some functional work, as well as handbuilt slab work and extruded forms.  She has also produced work in raku, salt bisque, pit firing, sagger firing, electric oxidation, high fire salt & soda, wood firing and crystalline firing.